Selected work

Fast and scrappy. Repeatable at scale. Infrastructure underneath.

Recent cuts first. Three case studies right after.

Out in the wild

Where the work landed.

Projects Ben has shot, cut, or run. Click anything with an arrow to see it live.

Recent Cuts

Role: Editor

Post-production across sports, social and long-form content, including shows produced through Omaha Productions.

Hoop Collective NBA Draft Preview full show Hoop Collective 82-0 Game Hoop Collective NBA Finals
Hoop Collective Windhorst

Shot only

SV Pod This is Football Always College Football Notre Dame The Edge (Bleacher Report) The Edge (Bleacher Report) Marvel social cut Hoop Collective Clippers The OG Football Show On Base with Mookie Betts On Base with Mookie Betts Marvel social cut Marvel social cut Hoop Collective Move the Sticks

NHL

Role: Photo / Video / Live Social

Live social contributor since 2023. Game nights, playoffs, and events including the Panthers' Stanley Cup parade. Shot from boards, stands, and ice level, built to capture moments in real time and get them out just as fast.

Stars gameday Stars rinkside
NHL rinkside

Editor: Juan Morales

NHL league social cut Postgame celebration

NFL

Role: Photo / Video / Live Content

Three seasons of live content across league and team environments, including Bengals and Cowboys home games and off-season events. High volume, real time, delivered immediately to centralized teams.

NFL sideline Bengals gameday Bengals gameday Cowboys event Bengals gameday NFL hero NFL player event NFL showreel

Events & Networks

Role: Photo / Video

Final Four, FCS Championship, Big 12 events. Work with Omaha Productions, Red River Rivalry, XumoTV, and Always College Football. Different crews, different environments, same expectation to be ready when it happens.

Final Four
FCS Championship

Editor: Carter Rodman

Big 12 event
Red River Rivalry

Editor: Dylan Bayles

Omaha Productions XumoTV
Always College Football

Editor: Jake Garcia

Team & Property Work

Role: Social Content Specialist

Ohio State and Georgia Tech. Content from capture through distribution across gameday, branded campaigns, and NIL. Built for performance while balancing team voice and sponsor needs.

Ohio State branded

Shot only

Ohio State branded

Edited only

Ohio State branded Ohio State gameday Georgia Tech sideline Georgia Tech branded

Live feed and the full archive at gondola.cc/TheBenZone.

01 · Working fast

The Hoop Collective · ESPN

An hour of notice. A two-minute piece that aired on ESPN.

Context

The Hoop Collective is ESPN's NBA podcast, a pre-game and post-game show with same-night turnaround during the Finals. Paper Dart was brought in on short notice to run production: set up, record, and cut social clips around each show.

The brief was loose. The show knew it needed hands. It didn't have a shot list.

Problem

An hour before Game 1, the plan for Tim MacMahon's trip into the Jackals section, the Spurs fan group he was writing about, was a couple of b-roll clips shot from a distance.

That's the version you get when the crew only has capacity for the assignment.

Approach

We had the gear and the bandwidth to do more, so we did. MacMahon went in with his own vlog camera and a mic. We shot b-roll from outside and recorded him interviewing fans inside.

None of that was the job. It was possible because the kit was overbuilt for the brief and the setup for the podcast was already handled.

The edit turned around in under 24 hours so it could run the next day.

Results

A two-minute segment that didn't exist in the plan.

It ran as standalone content and aired on ESPN as the visual accompaniment to MacMahon's written story on the Jackals. The podcast shows and social clips shipped on schedule alongside it.

Watch the Jackals piece on YouTube
Watch the piece
Insight

The best asset on a shoot is usually the one nobody scoped.

Work led by Ben Wartski for The Hoop Collective, NBA Finals.

02 · Scaling campaigns

Learfield Studios

Three campaigns. One model. 7 schools to 36.

Context

College athletic departments live or die by social, but most operate as siloed brands. Learfield Studios sits across 40+ Power 5 programs as a centralized creative resource.

The question: when something works at one school, what does it take to run it at twenty? At forty?

Three cross-property campaigns: March Means, Countdown to Kickoff, and From Every Angle. Each was designed to repeat across schools without losing local identity.

Problem

What worked at one school didn't translate cleanly to twenty. Each new partner required custom setup. Execution broke as participation grew. Without shared infrastructure, success at one property became friction at scale.

Approach

Each campaign followed the same model: pilot, build the infrastructure, then scale.

March Means grew from 7 to 14 schools and 40+ athletes in a year. Countdown to Kickoff expanded from 20 to ~36 schools. From Every Angle delivered 18+ episodes across 8+ programs in its first window.

The shift was in how the work was structured. Reusable one-sheeters, opt-in trackers, and fulfillment dashboards meant each new property entered a system that already worked.

The infrastructure became the deliverable. That's what allowed the work to scale without rebuilding each time.

March Means, 2024 compilation
March Means creative grid
March Means creative system
Countdown to Kickoff
Countdown to Kickoff
From Every Angle
From Every Angle
Behind the scenes on set
On set

Results

Three campaigns. 40+ schools. 2M+ impressions.

March Means
1.1M impressions (+180% YoY)
740K views (+228%)
82K engagements (+264%)
7 → 14 schools, 40+ athletes
Countdown to Kickoff
20 → ~36 schools
+80% participation
2M+ impressions
From Every Angle
18+ episodes
8+ programs in the first window
Insight

If it only works once, it isn't a model.

Work led by Ben Wartski as Manager of Social Content at Learfield Studios.

03 · Scaling workflows

Learfield Studios

40 schools. One way of working.

Context

Behind every multi-property campaign is the operational work that makes it possible.

Content operations across 40+ collegiate athletic properties. The infrastructure behind how campaigns were planned, executed, and delivered.

The output wasn't a single piece of content. It was the system that made all of it possible.

Problem

At scale, fragmentation was the default. Teams worked on different timelines. Sales, content, and athletics weren't aligned. What worked at one school broke at another, and it was hard to trace the root.

Every issue became a one-off fix. Nothing carried forward.

Approach

Three areas.

Visibility. A shared Airtable system that mapped every property, campaign, and deliverable in one place. Leadership could see the pipeline instantly. Without it, every update was a meeting.
Execution. Production templates the network used. Shoot docs, routing grids, and briefs that aligned teams before work started, not after. For properties without a dedicated content specialist, a self-serve path into the same infrastructure, structured as a decision tree that routed each property into the system at a tier appropriate to their resourcing.
Strategy. A repeatable audit framework that broke down performance, surfaced opportunities, and gave sales and content a shared way to decide what to do next.

When the system held, the work held. So the focus wasn't fixing individual problems. It was making the system reliable.

Property grid mapping 40+ schools
One view of 40+ properties
Routing grid template
Routing grid

Results

40+ properties, one shared system.

Before, every property operated differently. Campaigns broke in different ways and fixes didn't transfer.

After, teams were working from the same templates, the same timelines, and the same source of truth. Work that used to require constant alignment moved without it.

Pre-production templates, routing grids, and audit frameworks became the standard across the network. Properties without dedicated resources had a clear path into the same system.

Insight

The work moves when the system holds.

Work led by Ben Wartski as Manager of Social Content at Learfield Studios.

Got something that needs to fly?

ben@paperdartcreative.com ↗